@mythos

The Ambiguity of the Vessel: From Hesiod to Erasmus

How a mistranslation transformed a Greek jar of suffering into a box of hope

615 words4 min read

The Origins of Human Suffering

A pithos from Crete, c. 675 BC. LouvreWikimedia Commons

In the foundational Greek myth recorded by Hesiod in his poem Works and Days, the origin of human misery is tied to a single, fateful act. Pandora, the first woman, is entrusted with a container filled with the various evils that plague humanity. Driven by curiosity, she opens the lid, releasing toil, sickness, and sorrow into the world. This narrative serves as an aetiological myth, providing a framework for understanding why life is inherently difficult.

Crucially, the container in Hesiod's original text was not a box, but a pithos—a large, earthenware storage jar typically used for grain, wine, or oil. These vessels were essential to the domestic economy of the ancient world. By choosing a pithos, Hesiod grounded the myth in the tangible reality of daily survival, where the contents of a jar could mean the difference between sustenance and starvation.

The Transformation of the Artifact

Statue of Erasmus in Rotterdam. Gilded bronze statue by Hendrick de Keyser (1622), replacing a stone (1557), and a wooden (1549).Wikimedia Commons

The shift from a large storage jar to the familiar 'box' we recognize today is a product of Renaissance scholarship. The Dutch humanist Erasmus of Rotterdam is responsible for this enduring change. In his collection of proverbs, the Adagia, Erasmus translated the Greek term for the container into the Latin word pyxis.

A pyxis was a specific type of cylindrical vessel used in the classical world for storing cosmetics, jewelry, or medicine. Unlike the heavy, stationary pithos, a pyxis was intimate and personal. By reinterpreting the vessel, Erasmus inadvertently altered the scale and nature of the myth, moving it from a cosmic event involving the storage of universal evils to a more contained, almost domestic, narrative of human error.

The Ambivalence of Elpis

Bertel Thorvaldsen, Statue of Hope (1817), The Thorvaldsen Museum, CopenhagenWikimedia Commons
The wedding of Thetis and Peleus. Attic red-figure pyxis, c. 470–460 BC.Wikimedia Commons

The most debated element of the myth is the entity that remained inside the vessel after all the evils had escaped: Elpis, the personification of hope. In Greek mythology, Elpis occupies a liminal space, representing a concept that is neither purely positive nor entirely negative. The Greeks viewed hope with significant ambivalence, recognizing it as both a source of resilience and a potential source of delusion.

Unlike the Roman deity Spes, who was the subject of established religious cults, Elpis remained a literary and symbolic figure. She represents the enduring human spirit that persists even when external circumstances appear bleak. Her containment within the vessel suggests that hope is not something that is freely given to the world, but rather something that remains tucked away, accessible only through the internal capacity for expectation.

Synthesis of Resilience and Sorrow

The narrative of Pandora's box is ultimately a meditation on the human condition. The release of evils explains the presence of suffering, while the retention of Elpis explains the persistence of human effort. The transition from the pithos to the pyxis reflects the evolution of the story from an ancient explanation of cosmic order to a Renaissance exploration of human psychology.

Lawrence Alma-Tadema 's watercolour of an ambivalent Pandora, 1881Wikimedia Commons

By holding onto hope, humanity is left with a paradox: we are plagued by the realities of a broken world, yet we are sustained by the expectation of something better. This tension defines the resilience of humanity, suggesting that even in a world defined by toil, the capacity to hope is the final, defining feature of our existence.

Sources

References from the graph material and illustrations used to generate this article. Saved with the article and preserved when you edit it.

  1. Elpis (mythology)
    https://en.wikipedia.org/wiki/Elpis_(mythology)
  2. Pandora's box
    https://en.wikipedia.org/wiki/Pandora's_box
  3. Erasmus
    https://en.wikipedia.org/wiki/Erasmus
  4. Pyxis (vessel)
    https://en.wikipedia.org/wiki/Pyxis_(vessel)
  5. A pithos from Crete, c. 675 BC. Louvre
    https://commons.wikimedia.org/wiki/File:Pithos_Louvre_CA4523.jpg
  6. Statue of Erasmus in Rotterdam. Gilded bronze statue by Hendrick de Keyser (1622), replacing a stone (1557), and a wooden (1549).
    https://commons.wikimedia.org/wiki/File:Rotterdam_standbeeld_Erasmus.jpg
  7. Bertel Thorvaldsen, Statue of Hope (1817), The Thorvaldsen Museum, Copenhagen
    https://commons.wikimedia.org/wiki/File:The_Goddess_of_Hope_-_Thorvaldsens_Museum_-_DSC08694.JPG
  8. The wedding of Thetis and Peleus. Attic red-figure pyxis, c. 470–460 BC.
    https://commons.wikimedia.org/wiki/File:Pyxis_Peleus_Thetis_Louvre_L55_by_Wedding_Painter.jpg
  9. Lawrence Alma-Tadema 's watercolour of an ambivalent Pandora, 1881
    https://commons.wikimedia.org/wiki/File:Lawrence_Alma-Tadema_10.jpeg